Wednesday 5 August 2009

Guitars Guitar Strummin Fender Gibson Cotton Throw Blanket

This is a lovely high quality Woven throw, made in USA. Great decoration for you home, office, excellent to hang on wall, fold on bed, etc.
Customer Review: Unique Gift
This gift was ordered as a Christmas gift to my teenage brother who loves guitars. I searched everywhere for guitar blankets, and this was the only one I could find. I was very pleased with the seller (Cjicollectiables, LLC)as the product arrive on time and came with a customer satisfaction garentee. Needless to say, I was very satified with the blanket throw, as was my brother. I would recommend the blanket as a unique quality gift for any guitar lover, and the seller as reliable.


References to the guitar more or less in its modern form date back to the 14th century. In its infancy it had four courses of double strings and a rounded body like a gourd or a pumpkin. Its mother would not recognize it today!

Around the sixteenth century the guitar was a popular musical instrument amongst the middle and lower classes of Europe, and as it increased in popularity it began to undergo a change of shape. Luthiers began making instruments with single strings instead of courses and experimented with its form until, by the 19th century, the body of the guitar was made wider, and flattened out. In the twentieth century the wooden tuning pegs which adjusted the tension of the strings were replaced by metal machine heads. Now we have the shape that the modern electric guitar is based on.

The first electric guitars were made in the 1930's in response to a demand from guitarists in bands whose rhythmic stylings could not be heard above the other instruments. The main problem with these electric guitars was that feedback was coming through the amplifier from the vibration of the guitar's body. This challenge began the evolutionary process of the solid body electric guitar.

The early electric guitars had sound holes in the body that were smaller than the sound holes of conventional guitars. In 1924 Lloyd Loar, an engineer with the Gibson factory, used a magnet to change guitar string vibrations into electrical signals, which could be amplified through a speaker. Now it was possible to build guitars that did not possess sound holes but could be heard clearly through an amplifier. Amateur guitar players were able to get their hands on electric guitars through the efforts of Paul Barth, George Beauchamp and Adolph Rickenbacker who founded the Electro String Company in 1931. Their guitars resembled steel guitars, and were played in the guitarist's lap using a slide.

Modern electric guitars are made of many thin layers of wood glued together. The top layer is often a more attractive wood to give the guitar a pleasing appearance, and the other layers are of a wood which gives a good tone such as poplar or ash. The use of laminates endows the instrument with the robust body and tonal quality that would be impossible in one piece of wood. The original solid body guitar was however, made from one piece of wood. In 1941 Les Paul turned a railway sleeper into an amplified stringed instrument. He called it "The Log". When production of his instrument began he stayed with the conventional guitar shape to give his market a familiar image to relate to. Les Paul's invention marketed as the Gibson Les Paul is still extremely popular.

In the 1940's, the Fender Broadcaster Electric guitar came into the world. Nobody really noticed until Arthur Smith used a Broadcaster to record "Guitar Boogie" in 1949. After being renamed the Telecaster, it was put on the market in 1950. Another Fender model, the Stratocaster, caught guitarists' attention with its distinctive tone and light weight. It's still the second most popular guitar in the world.

Ibanez, Jackson, Paul Reed Smith, ESP and Yamaha have made solid body electric guitars with original designs, distinctive shapes and new materials mixed with modern technologies to produce more efficient and versatile electric guitars. Today's electric guitars produce tones varying between futuristic music or quasi-acoustic sounds.

In the 1960's, effects boxes introduced fuzz, delay, echo and the wah-wah sound to the arsenal of sounds available to the modern guitarist. A pedal operated by the guitar player's foot turns the effects on or off. Now guitars contain software that lets guitars sound like other types of guitars or reproduce the sound of other musical instruments. With developments like the latest self-tuning guitars, maybe the old joke about a guitarist "phoning in" a solo will become a reality!

Ricky Sharples has been playing guitar his whole life, and is presently engaged in building a blog called Learn How To Play A Guitar For Free. Ricky's blog features free tools, lessons and resources for guitarists of all ages and stages. Ricky updates the blog regularly so if you are interested in learning to play guitar there will be an enormous variety of tip, tools and tutorials for you.

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Sunday 2 August 2009

Fender Custom Shop No Way Out Skull Studs Rocker Shirt. Black Short sleeve Button Front Fender Guitars Shirt

New Fully Licensed Mens Fender Guitar Tour Wear Shirt. Fabulous rock band stage wear shirt for Musicians or a just a great shirt for Fender Guitar lovers. Great Rocker shirt for those special nights on the town. From the Fender Custom Shop. This Design is Killer - it is called No Way Out. It is a short sleeve Black Cotton shirt with a small Fender Custom Shop Skull embroidery design on the front. The front features Fender Snap closures in a Rockabilly style. The back has a large print of the Fender Skull and crossed Fender Guitars Design and says Rock n Roll Religion on it. The Skull has Metal Studs in his eyes and there are Metal Studs between the words. Great for all musicians from Heavy Metal to Rockabilly and as a clubbing shirt for anyone. These shirts are new but made to look vintage with wicked cool detailing. Fabric is 100% Cotton for a soft comfortable fit and ease of care.Sizing on This Mens Short Sleeve Button Front Cotton Fender Guitar Shirt:Medium: 43 inch chest.Large: 45 inch chest.XL: 47 inch chest.XXL: 49 1/2 inch chest.


Affirmation is the latest Pop CD released by the extremely group Savage Garden and they have once again delivered a brilliant collection of tracks. Im confident Savage Garden fans, and Pop fans alike will be pleased with this one.

Refreshingly, this was one of those CDs I was able to just pop in and comfortably listen to from beginning to end. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

The nice thing about a CD like this is when the talent is this rich even if Pop isnt your favorite style you still cant help but appreciate the greatness of the musicians.

Overall Affirmation is excellent from beginning to end. One of those CDs that after a few listens the songs are just etched into your memory. A must have for the Pop fan. Really spectacular from beginning to end.

While this entire album is really very good the truly standout tunes are track 3 - I Knew I Loved You, track 9 - Two Beds And A Coffee Machine, and track 12 - I Don't Know You Anymore.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 - Affirmation. What a nice track!

Affirmation Release Notes:

Savage Garden originally released Affirmation on November 9, 1999 on the Columbia label.

CD Track List Follows:

1. Affirmation

2. Hold Me

3. I Knew I Loved You

4. Best Thing, The

5. Crash And Burn

6. Chained To You

7. Animal Song, The

8. Lover After Me, The

9. Two Beds And A Coffee Machine

10. You Can Still Be Free

11. Gunning Down Romance

12. I Don't Know You Anymore

Savage Garden: Darren Haynes (vocals); Daniel Jones (electric guitar, keyboards, synthesizer, programming).

Additional personnel includes: Jeremy Lubbock (conductor); Dean Parks (acoustic guitar); Michael Thompson (electric & baritone guitars); Michael Landau (electric guitar); Walter Afanasieff (piano, keyboards, synthesizer, programming); Greg Bieck (keyboards, synthesizer, programming); Nathan East (bass); Steve Smith (drums); Adam Rossi, Dan Shea (programming). Engineers include: Kent Matcke, Jay Healy, David Reitzas.

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